“Over the course of repeated visits, the work appeared to settle rather than advance, as though shaped by conditions already in place. Certain forms returned with slight variation, holding their position without emphasis. The spaces depicted suggested interiors attentive to both sound and its absence, as if shaped as much by what lingered as by what receded. It was sometimes unclear whether the observations belonged to the paintings themselves or to the surrounding stillness through which they were received, a secondary structure—temporal rather than visual…quietly translating the work as it took form.”

— from the compiled notes of George Bolet, Cuban-American observer, recorded after a series of studio visits, 2021–2025